They’re baaack! Monster Cable sues Monster Transmission

Thank goodness for Monster Cable. No, really. I mean, every cause needs a poster child, right? And the poster child for the excess of ownership in this country is, without a doubt, Monster Cable, which has sued everyone from a blue jeans maker to a mini-golf operator to the Boston Red Sox and their attempts to trademark refreshments named after the Green Monster — all, apparently, without any obvious sense of shame or even awareness that its actions, as a company, might be just a shade beyond the pale.

After the mini-golf debacle, which was truly a blizzard of terrible press for Monster, one might have thought the company would take a step back and consider the damage it’s doing to its name (so to speak). But no. Per Audioholics.com, Monster has filed suit against Monster Transmission, which, according to the site, is “a family owned [sic] company that specializes in high performance transmissions for hot rods & muscle cars.” They do seem to have a knack for finding sympathetic targets, don’t they?

But here’s the disturbing thing about Monster and its unbelievably overzealous trademark-protection strategy: they’re winning. See, Monster is operating under the assumption that its brand is a famous trademark, such as Coca-Cola, Sony, Rolex, or Microsoft (although at least those other famous trademarks have the decency not to contain incredibly common everyday terms!). Even though, per the Wall Street Journal, Monster has never obtained a court ruling that puts it on par with, say, McDonald’s, they’re flinging lawsuits with a vigor better befitting Visa or Camel. And like I said, it’s working.

Discovery Channel, Disney, the Red Sox, and countless others have either changed their marketing and promotion or licensed the term Monster from Monster Cable for use in projects that were entirely unrelated to, well, cables. That means that no matter how much the company may be vilified online, it’s got little real incentive to stop acting like sole proprietors of the word “monster.” And that’s got to stop.

Monster Cable told the Wall Street Journal that it received some 200 complaint letters from consumers over the Monster Mini-Golf incident. That led the company to withdraw its lawsuit and pay the legal expenses of the couple who owns the mini-golf company. If that’s what 200 letters can do — and frankly, I consider that a surprisingly paltry number — think what a full-fledged letter-writing campaign, or even a boycott, could do. Because, honestly, you could argue that the real evil of Monster Cable is the price of their cables, whose value to most consumers is dubious at best. It shouldn’t be a particularly hard boycott to engage in, but the key is to let them know you’re doing it, because this is wildly out of hand. It’s one thing to be afraid of the monster in the closet, but for every business in America to have to live in fear of a manufacturer of multimedia accessories seems, well, ludicrous. Monster Cable, you ain’t no Coca-Cola.

UPDATE: See the comments below, wherein Monster Ted says this lawsuit was filed last year, and they’re working to bring it to a close. Though Engadget notes that the owner of Monster Transmission says they’re not close to settling, and really, does any of that change the fact that there was, in fact, a lawsuit against Monster Transmission and still is? Still, nice to see they’re paying attention to consumer concerns over all this insanity.

Survey: Yes, people want to rip their own DVDs

Got an interesting press release today: the National Consumers League surveyed people about their DVD habits and desires, and found that nearly everyone who responded to the survey thought backing up a DVD to a computer ought to be an inherent and obvious right. From the release:

According to the survey, 90 percent (and 93 percent of those with children in the household) agree that DVD owners should be able to copy a DVD to their computer in the same way that they save music from a CD.

I concur. Further highlights: 51 percent found it troublesome that they’d need to crack encryption (i.e., break the law) or pay more for a DVD that allowed a digital copy, while 46 percent of those who wanted the ability to back up their media said they had, in fact, had to repurchase DVDs in the past that were lost or damaged. Plus, and I think this is notable, the survey points out how many people are watching DVDs on their computers — 69 percent overall and 74 percent of respondents with children. DVDs aren’t just about home theaters anymore, and the less flexible they are, the more portable they have to be, which only increases the danger that they’ll be lost or damaged.

The release takes a slightly threatening tone (of which, I admit, I approve) by noting that in these troubled times, when those surveyed also reported buying fewer DVDs, it might be wise for the industry to realize that continuing to sell these overpriced, crippled little coasters that don’t even let you fast-forward past trailers pimping other overpriced coasters might be a losing proposition. I might have rephrased that a bit. But almost every time I watch a DVD, I am astonished anew at how stupid and frustrating DVDs are. And Blu-Ray, in addition to being saddled with most of the usual annoying restrictions, also brings the exciting Russian roulette game that is HDCP compatibility concerns. Better hope that every single piece of your home theater is HDCP-compliant, or risk your overpriced disc giving you a nice little error about how it can’t play. Is it any wonder we’re so excited about digital distribution?

I’m sorry, Blu-Ray, but the DVD is dead. As Netbooks proliferate, more of our personal computers are without optical drives, and these physical discs make no sense. More and more people have robust home networks capable of storing and backing up digital media, and streaming it to different parts of the house. This is becoming standard consumer behavior, and before you start to argue that we all just want to pirate movies, let me break it down to just one simple real-world example. My household has one TV. I have a workout DVD I use regularly. Why can’t I, legally, rip that DVD, store it on my Netbook or even my network-attached storage, and then play it back in another room so I can work out without monopolizing the television? Is that so hard? Is backup so hard to believe? This is basic fair use behavior that’s been prohibited for too long, and as the results of this survey show, these disc-based restrictions on backup and ripping are incomprehensible in the digital age. Get with the picture, DVDs, or get out of the way.

Discovery sues Amazon over Kindle 2

Discovery Communications (yes, that Discovery) has filed a lawsuit against Amazon over the Kindle and Kindle 2, alleging patent infringement. They cite a patent granted in 2007 (though it sounds like it was in the works as early as the 1990s, per Paid Content), which covers all sorts of alternative delivery methods for digital goods — video and books. Near as I can tell from perusing the patent, the relevant diagrams start on page 21. That page contains the diagram below, which quite clearly describes an ebook reader, the method for selecting a book and turning pages, delivering the display, and so forth.

Page 22 goes on to diagram the method for choosing and purchasing an ebook, and page 23 pretty clearly sketches out the controls for an ebook reader. There’s a sketch of a library concept, books on your “shelf,” suggestions, and so forth. Interestingly, Discovery isn’t asking for an injunction or a large payout or some other headline-grabbing recompense. They want a ruling in their favor, attorneys’ fees, and an ongoing royalty — kind of what you’d expect a company to ask for if they legitimately believed their patent was being infringed and they should simply get paid a license fee.

It all seems fairly reasonable, although it leads me to wonder, first, why they haven’t sued Sony over its Reader, and second, why it irks me so much to see a picture diagramming how to read a book electronically along with a claim that such a thing is an “ownable” idea. Still, I’m not sure if Amazon’s going to get out of this one. We’ll be watching.

Authors Guild, unbelievably, still after Kindle 2

I truly cannot believe that the Authors Guild is sticking to the untenable and astounding proposition that the Kindle 2 is infringing on authors’ copyrights because it includes a text-to-speech function. In an op-ed in the New York Times today, Authors Guild president Roy Blount says that the “quite listenable” text-to-speech audio on the Kindle 2 does, in fact, infringe on authors’ copyrights, and that authors should receive royalties from the Kindle’s audio “performance” of a book in the same way they would receive royalties on an audiobook. Blount goes on to complain that the Guild is now being “assailed” by everyone from the National Federation of the Blind to the Electronic Frontier Foundation, which took the Guild’s argument to its logical conclusion and determined that authors want royalties for the performance of bedtime stories. Hyperbolic sarcasm? Sure. Reasonable portrait of the same type of “logic” the Authors Guild is using to argue for royalties on text-to-speech? Abso-freakin-lutely.

The EFF does a great job pointing out all the ways in which the Authors Guild has no legal basis for its complaint — first, the works aren’t derivative under any legal definition, which is what Guild Spokesman Paul Aiken claimed when he said the Kindle 2 didn’t “have the right to read a book out loud” (and isn’t that the most surreal example of the rise of the culture of ownership you’ve ever heard?). Second, there’s no unlawful distribution, since Amazon pays royalties on the books it sells and those books are simply synthesized into speech by the Kindle 2, and third, there’s no unlawful performance, since you’re the only one likely to be listening to the audio rendition.

But Blount doesn’t address the legal fisking at all, and why would he? He’s on a sympathy campaign full of empty threats. He “clarifies” that the Authors Guild isn’t asking for royalties on “non-commercial” performances of “Goodnight Moon,” but says, “If parents want to send their children off to bed with the voice of Kindle 2, however, it’s another matter.” What? No it’s freaking not another matter. It’s the exact same matter. A perfectly protected personal use of media that’s been legally distributed. But without a legal leg to stand on, Blount simply stops making sense. In response to the quite legitimate argument that the Kindle’s text-to-speech capability is a boon for the visually impaired, he notes:

“… publishers, authors and American copyright laws have long provided for free audio availability to the blind and the guild is all for technologies that expand that availability. (The federation, though, points out that blind readers can’t independently use the Kindle 2’s visual, on-screen controls.) But that doesn’t mean Amazon should be able, without copyright-holders’ participation, to pass that service on to everyone.”

Now, Roy Blount is, himself, an accomplished author. But clearly, he didn’t get an editor to take a pass at this particular paragraph. You cannot logically argue that you’re “all for technologies” that expand literary access to the blind, but then demand royalties simply because Amazon did the expanding without asking you. Is that really what this comes down to? Is the Authors Guild just feeling kind of pissy that no one told them this was coming?

Blount misses the point on so many levels. He opens his attack on the Kindle 2, a device that offers an all new and very exciting opportunity to extend the value and wonder of reading to an entirely new audience of gadgeteers, a device that makes it unbelievably simple and less expensive to buy a book anytime, anywhere, by complaining about “all the new ways of not getting paid that new technology affords authors.” Oh, my lord. Stop being such a short-sighted ass. I have a list of books as long as my arm that I’m going to buy as soon as I unwrap my Kindle 2 tonight — and I wouldn’t buy them otherwise, because it’s a pain in the butt to order them and I don’t have room on my shelves. The Kindle 2 is the kind of technology that will, by design, cause people to buy more books. It will almost certainly help expand the reach of ebook readers, which will cause people to buy more books. Plus, the Kindle supports Audible! You can actually buy and listen to audio books on the device, without even resorting to the listenable but ultimately not that satisfying robotic text-to-speech voice! Sure, Kindle 2 doesn’t support ePub, and I wish it would, but at its heart, it’s a device about buying books!

Look. The Kindle 2 text-to-speech feature is at worst a novelty and at best a helpful feature that might let me listen to parts of a book instead of reading it when the power goes out. Or maybe I’ll load it up on behalf of my visually impaired friend and then give it to her to listen to. But frankly, I have a hard time thinking of too many applications for the feature, which makes me think it’ll probably be a little-used element of a device that is ultimately for reading. And you’d think that authors would prefer to look at it that way instead of continuing to lavish attention on a minor technological improvement in a way that’s making them look like desperate, sad, out-of-touch fools. I’m sure you’re worried about the literary decline of America, Roy Blount and the Authors Guild. I’m sure you’ve got no love for Amazon and their insistence on lower prices and unfriendliness to publishers. But you’re really, really, really wrong on this one, and you need to let it go. It’s getting kind of embarrassing.

Ireland on verge of becoming music industry police state

Ireland’s largest ISP, Eircom, will reportedly start blocking its customers from accessing file-sharing sites, solely at the behest of the music industry. According to the Sunday Business Post, the Irish equivalent of the RIAA, the Irish Recorded Music Industry, has been threatening the country’s ISPs with legal action if they don’t do the same. And Eircom’s capitulation comes nearly a year after IRMA sued the ISP and tried to force it to install fingerprinting software that would spy on its users’ downloaded files.

From the paper’s report:

“Irma, which represents major music groups EMI, Sony-BMG, Warner and Universal, is to begin compiling lists of websites that it claims are damaging its business. It will then apply for a court order, requiring Eircom and other internet providers to block access to these sites.”

See those label names there? Make no mistake: IRMA is the RIAA in disguise, and if these usual suspects manage to strong-arm Irish ISPs into imposing a blacklist that is hand-crafted by the music industry, it’s just the beginning. The EU has been flirting with ISP filtering for quite a while — an although it struck down the idea of ISP filtering last year, an Irish precedent will almost certainly bring the issue back to the fore. Can I get another Twitter blackout protest? Well, ok, maybe not that. But something? Protest-ish?

Olympics: the spirit of crackdown

If you work in any sort of media at all (or you’re a small winery in the Olympic peninsula), you’re well aware that the Olympics Committees of the world are unbelievably rabid enforcers of trademarks related to the Games. But now, “trademarks related to the Games” is starting to include national anthems, numbers, and common nouns.

News broke this week that the Vancouver Olympic Organizing Committee, having failed to think of any good mottoes by itself, has borrowed and trademarked phrases from the public-domain Canadian National Anthem. The committee has generously assured citizens that they’ll be free to sing the anthem all they want. So, that’s nice. But presumably, anyone who, say, publishes the words to an anthem on a blog that also has Google Adwords might be in violation of the prohibition on commercial use of the words of the song.

And the Olympics haven’t stopped at co-opting parts of the national anthem of a sovereign nation for purely commercial gain. Oh, no. The Vancouver committee, per the CBC, “managed to get a landmark piece of legislation passed in the House of Commons last year that made using certain phrases related to the Games a violation of law.” Those Games-related phrases include “winter” and “2010,” as well as “gold,” “silver,” “medals,” “sponsor,” “games,” and “21st.” And the Canadian government has handed over special enforcement powers to the Olympic Committee for the duration of the law, which expires in 2010. (Oh, crap, I just used 2010. Am I going to get a C&D? Apparently not; officials say it would only be a problem if I said “Vancouver 2010″ or “2010 Games.” Oh. Crap.)

What’s astonishing to me is not what a sick, commercialized, speech-sucking monster of ownership the Olympics have become. That’s not new, although it does get exponentially worse and more disgusting with each iteration of the Games. (Crap.) No, what’s truly astonishing to me is that the Canadian government would so cheerfully hand over the keys to the trademark castle and set a precedent that will have every event or movie that comes to Vancouver (and a lot of movies come to Vancouver) thinking they might be entitled to a little trademark love. O, Canada. We had hoped for so much more.

The next culture of ownership demon: the DTV transition?

Tom Yager at Infoworld has an excellent read on how easy–and likely–it will be to lock down content post-digital TV switch. Plus, a good refresher on just how convoluted and downright bad the HDCP over HDMI is for consumers. In essence, his column winds up as a call to arms to the electronics and software industry, who have thus far laid right down for the entertainment industry (hello, Microsoft and your broadcast-flag-embracing copy-protection schemes!).

I agree that the consumer electronics industry should fight harder against Big Entertainment, and certainly the Consumer Electronics Association has been a major advocate for user-friendly gadgets that aren’t crippled with overzealous attempts at DRM. (I was on a panel a couple of years ago, and others since, with Michael Petricone, senior VP for government affairs for CEA, and he can mix it up with the MPAA better than almost anyone I’ve seen.)

But at this point, almost all consumer electronics are becoming part and parcel of the entertainment-delivery machine: Media Center, media players, multimedia-friendly cell phones, media extenders, you get the idea. And access to media means playing ball with Big Media. Is the tech industry at the mercy of the entertainment industry? And if so, is there a pro- fair use, innovation, and consumer rights champion left with enough clout to take on the Hollywood machine? Hello? Anyone? Helloooo?

By far the saddest thing I’ve read today

From the New York Times’s Nicholas Kristof today:

“Painfully slowly, the United Nations and its member states seem to be recognizing the fact that systematic mass rape is at least as much an international outrage as, say, pirated DVDs.”

Makes me wonder not only about their priorities, but maybe mine a bit, as well.

The Anti-Counterfeiting Trade Agreement: what you need to know

I’ve been at this all backwards. See, first I read this story, which seemed to suggest that Canada was working on an agreement that would turn its border cops into copyright cops, lead to searching of iPods and computers for infringing material like ripped CDs and DVDs, and force their ISPs to turn over information on customers who were merely suspected of pirating copyrighted material. Then I realized the story was the same as the “Pirate Bay Killer” trade agreement story that was making the rounds last week, and I had sort of dismissed it as hysterical pro-Pirate Bay FUD. But then I realized that both stories are about a semi-secret international trade agreement with the potential to export some of the worst parts of the DMCA to the entire world, and I figured it was probably time to do some actual research and explaining. So, here goes.

On May 22, Wikileaks posted a leaked discussion paper that, for the first time, offered details into the proposed Anti-Counterfeiting Trade Agreement (ACTA) that’s under negotiation in multiple countries. It pointed out that most of ACTA’s provisions are being negotiated in secret, and that trade representatives would like to formalize the agreement during July’s G8 discussions. According to IP Justice, ACTA has been in the works since 2007, led by United States, the European Commission, Japan, and Switzerland, with the participation of Canada, Australia, Korea, Mexico and New Zealand. They’ve compiled quite a dossier on it here.

From my reading, at least, the ACTA discussion paper seems to be a mix of zealous crackdown efforts targeted at large-scale, commercial piracy operations, some vague wording that lends itself to paranoia and fear-mongering because of our long history with unintended consequences in lawmaking, and some legitimately disturbing efforts to criminalize consumer behavior, unduly bribe and burden ISPs, and further erode any semblance of fair use.

In a nutshell, according to the Wikileaks document, the act would allow for international sharing of information on infringers, boost “awareness” in the public and law enforcement, provide a legal framework that would specifically criminalize non-commercial infringement (”to such an extent as to prejudicially affect the copyright owner,”) allow authorities to seize and destroy “infringing goods and equipment and materials used to make them,” and implement various border measures intended to target, primarily, large shipments.

In Canada, at least, the border measures are being painted as a push to make customs officials responsible for searching iPods and laptops for infringing material. Honestly, in my reading, that may be a slippery-slope outcome, but the closest applicable language suggests “measures to ensure the seizure and destruction of IPR infringing goods.”

But things get really creative once you get to, say, “Civil enforcement.” Per the discussion paper, ACTA participants would adopt “measures to overcome the problem of rights holders not being able to get sufficient compensation due to difficulty of assessing the full extent of damage.” That’s right; it’s impossible to tell how much money they lost from piracy, since it’s impossible to know if anyone would have paid for the material they stole, had it not been available to steal.

And things do, despite a lot of heated rhetoric from both Wikileaks and IP Justice, get fairly disturbing down around the “Internet distribution and information technology” section of the paper. For example, the act would call for safeguarding ISPs from liability “to encourage ISPs to cooperate with rights-holders in the removal of infringing material.” That kind of thing is almost always code for, “threaten ISPs with liability if they DON’T cooperate with rights-holders,” and I’ve written before about the dangers and obstacles inherent in forcing ISPs to be copyright cops.

In addition, the act would make it easier to force ISPs to turn over information on suspected copyright infringers in a more expeditious fashion. Translation: we think so-and-so is illegally downloading music. Send us all his personal information in 24 hours or see previous re. “liability.” It definitely appears to lessen the burden of proof required in gathering information about ordinary citizens, and that’s not ok.

And then there’s anti-circumvention. The ACTA summary’s brief discussion of providing “remedies against circumvention of technological protection measures,” according to Wikileaks and others, “may affect online anonymity systems and would likely outlaw multi-region CD/DVD players.” And as we know, the anti-circumvention measures in the DMCA have, in addition to virtually eradicating fair uses of things like DVDs, also led to a raft of unintended consequences that have dangerously stifled security research. For example, remember the Sony root kit fiasco? It was discovered by, among other people, a Princeton grad student who delayed revealing his findings for weeks because of DMCA anti-circumvention measures. If overly broad anti-circumvention measures like those contained in the DMCA become international law, the consequences for research, free speech, and academics could be disastrous, not to mention the fact that no one in any developed country would ever be allowed to rip a damn DVD.

So, clearly, inflammatory rhetoric aside, ACTA seems likely to contain some provisions that are almost certainly extreme, and almost certainly do not carve out the kind of specific, personal fair-use exemptions that would protect that average citizen from the unintended consequences of such an overreaching international trade agreement. But Canadian law professor and copyright expert Michael Geist eloquently drives home the most pressing concern of all: the secrecy.

No one can say for sure what will be part of the trade agreement, since the negotiations and drafting have all occurred behind closed doors. It seems hyperbolic and hysterical to say, for example, that Canadian border guards will be inspecting iPods for ripped movies and then destroying them if they mistake an iTunes purchase for a ripped DVD … but we just don’t know if that’s in the act, because no one’s seen it. And frankly, the intellectual property protection impulse coming from the U.S. is just as hyperbolic and hysterical as the opposition. Worse, per IP Justice, if the agreement is ratified, the language will be “locked,” and even developing countries who are later pressed to sign on to the agreement won’t be able to re-negotiate its potentially draconian terms.

The U.S. is exporting to the rest of the world a level of naked, sweaty terror about piracy that goes beyond legitimate concerns about, say, massive counterfeiting operations or phony prescription drugs, and truly does threaten the individual rights of consumers and their media. And they’ve now convinced other countries to plot some secret worldwide agreement that will potentially judge all of us as criminals without any sort of trial and without our input at all. That’s unacceptable.

Michael Geist is urging his government to insist on “full public disclosure of the ACTA while it is still in draft form,” and argues that “civil society and representative stakeholders should be permitted to participate in the final negotiation process,” and “developing world country representatives should immediately be invited to participate.” I agree, and I’ve written to my congressional representatives to suggest the same thing. I hope you will, too.

It’s time to put MediaDefender out of business

Over the past weekend, the online video network Revision3 fell victim to a distributed denial of service attack that took down their entire site and even crippled their internal email servers. And upon investigating the source of the attack, they discovered it had originated from MediaDefender, an antipiracy “defense” firm (owned by digital media entertainment company ARTISTdirect) that claims to use “non-invasive technological countermeasures employed on P2P networks to frustrate users’ attempts to steal/trade copyrighted content.”

What they really do is poison peer-to-peer networks with blank files, decoy files, and use what amount to targeted denial-of-service attacks to prevent users from accessing, uploading, or downloading files that Media Defender has been hired to protect. And what they did in the case of Revision3 was inject a bunch of torrents into a Rev3 p2p server that the company uses to legally distribute its own video files. And the way they injected these torrents was by exploiting a vulnerability in Rev3’s server configuration. And when Rev3 stopped its servers from pointing to MediaDefender’s faux torrents, the MediaDefender servers went DDoS nuclear. So, first they hacked Revision3, and then they trashed the place, all in the name of copyright “protection.”

A little history, if you’ll bear with me: According to this article from Ars Technica, MediaDefender counts almost every major record label and movie studio as a past or present client, and it charges from $5,000 and $15,000 per title for its various protection schemes.

After some 700MB of internal email data from MediaDefender was leaked online in 2007, it was revealed that MediaDefender was secretly operating a video site that let users upload and download copyrighted content, presumably as an entrapment scheme or, some have speculated, as a way to enlist zombie PCs for future DDoS attacks (MediaDefender denies both charges). The emails also revealed that MediaDefender was gathering information on file-sharing users who were accessing pornography and negotiating with the New York State Attorney General’s office to share that information. And MediaDefender reportedly launched DDoS attacks on sites attempting to host the leaked emails.

Since then, the company has essentially gone underground. But they’re back in the spotlight in a big way now, and I think we can all agree that this ought to be the point where someone comes in and shuts this operation right the hell down. I don’t know much, but here’s what I do know, to quote Jim Louderback: “Denial of service attacks are illegal in the US under 12 different statutes, including the Economic Espionage Act and the Computer Fraud and Abuse Act.” And whether their setup of a hidden honeypot video-sharing site or their injection of decoy torrents into networks both legitimate and illegitimate (and even “legitimacy” is up for debate) rises to the level of outright fraud, “deceptive” is a fairly mild label for MediaDefender’s overall activities.

I also know that Bittorrent technology is perfectly legal, and is in use by a variety of companies for legitimate content distribution, including Brightcove, Fox, Paramount, Warner Bros., MGM, Comcast, and of course, Revision3. And if MediaDefender is wantonly targeting p2p networks and servers, injecting torrents into them, and DDoSing them out of existence if they shut off access to those decoy torrents, isn’t it risking an attack on the very companies that pay its bills? More importantly, isn’t it about time the entertainment industry stopped paying the bills to this digital-era goon squad?

It’s bad enough that legitimate p2p nets are getting caught in the crossfire and shot to pieces by these ridiculous and possibly illegal tactics. But it’s downright insane to keep uncovering piece after piece of evidence of this secret war against file-sharers, and to see that despite all the “progress” we’ve supposedly made — the near death of DRM, the fact that iTunes is the biggest music retailer in the world, and the widespread adoption of digital distribution — there’s still this horrid little Black Ops company out there spying on you and poisoning legitimate businesses and building fake video sites that either entrap you or turn your computer into a zombie mindlessly carrying out future attacks. All in the name of making sure you pay for mindless-pap movies and overengineered pop songs. How sick is that?